![]() The text tool produces monochrome, uniformly formatted text. However, the program does let you decide whether to show just the outline, the text with the outline, or just the text without an outline. ![]() Pinta does not let you move the text to another layer later. Pinta's text tool is not really a paint tool because it always applies to the current layer, rather than to a layer of its own. However, Pinta fails to show the source after you have selected it, which can result in repetitive patterns if the source already included previously cloned sections.įigure 4: Using the clone tool correctly involves a learning curve. This is like the Aligned clone mode in GIMP. The tool works more or less like its counterpart in GIMP: The Ctrl key in combination with a left click defines an area of image content, which each following mouse click then paints into the image starting at the defined point. The results are not entirely convincing, although you might be able to improve the outcome with some practice. ![]() The clone tool, in the form of a stamp, combines the functions of GIMP's stamp and Heal tools ( Figure 4). All of these tools offer the same options and let you draw the content, the frame, or both at the same time. The tools always use the selected foreground and background colors and stroke width. Pinta provides four other tools at the bottom edge of the toolbox that let you draw rectangles, rectangles with rounded corners, ellipses, or closed freehand shapes. Both have restrictions but come up with totally different results. The options typically offer very few choices, although this does make it easier to understand exactly what they do.įigure 3: Local (left) versus global (right) filling with Pinta. However, this reduces what is already a fairly tight vertical workspace. Pinta shows the current toolset in the line immediately above the image window, along with the available options ( Figure 2). Pinta does not support soft selections, which are essential for touch-up work, or let you retroactively adapt existing selections. You can invert the selection by pressing Ctrl+I or using Edit | Invert selection. The latter relies on the rubber band method and thus always gives you closed selections, which could be an advantage for newcomers to image processing. The selection tools in Pinta include a rectangle and an ellipse, plus a very restricted freehand selector. The toolbox has a manageable number of tools with an equally manageable feature set. The details in all the other windows then relate to this image. You can toggle to the desired image and then edit it in the main window. The software lets you open multiple images at the same time for editing they are shown in the Images window (Figure 1.4). To load an image into Pinta, you can either use the File menu or drag and drop images from a file manager. In addition to a menubar (unseen) and toolbar (top), you will find a toolbox (1), an extensible color palette (2), a Layers window (3), an Images window (4), and a History pane (5). Figure 1: Pinta comes up with an uncluttered workspace.
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